Danijela Radocaj’s art is a powerful expression of resilience, creativity, and soul. Growing up in Belgrade’s outskirts, her connection with nature sparked a vivid imagination that has guided her artistic journey. With studies in Italy and exhibitions in New York, Florence, and Budapest, Danijela blends vibrant colors and bold shapes to create pieces that speak deeply to human experience.
Her work reflects a lifelong commitment to authenticity and exploration. Through every brushstroke, she invites viewers to connect with their own stories and emotions. Danijela’s mission is to inspire transformation and curiosity, making her a rising force in the contemporary art scene.
Belgrade, during my early years, was a big, calm city where people lived with ease. I lived with my grandparents on the outskirts, surrounded by nature. Every day was filled with outdoor play. That constant connection with the natural world sparked my imagination. It helped me build a rich inner world—one where I felt safe, inspired, and free.
At twelve, I started following the work of fashion designers featured in magazines. My mom used to buy a fashion magazine called BAZAR, and I would copy the models from its pages. Drawing felt natural—it was the easiest and least complicated way to begin.
I wanted to enroll in a design high school, but my parents couldn’t support that path financially. At twenty, I took the initiative and started attending drawing classes to prepare for art school.
Not long after, in 1999, Serbia was bombed. The entire country was thrown into chaos. There was fear, panic, and uncertainty. In that moment, drawing became my escape. It was the only way I could protect my mind and spirit from everything happening around me.
As an artist, how do you balance your personal life and your professional creative process?
Balancing personal life and creativity feels like managing two opposite realities. Finding harmony between them is key.
In your twenties, it’s natural to focus more on the outside world. But as time passes, that need slowly fades.
I thought I knew myself well, but I still surprise myself sometimes—both in good ways and challenging ones.
By nature, I’m an introvert, though it might not be obvious at first glance. For me, setting clear boundaries is crucial. Without limits, too much of anything can become harmful and limiting.
When creating, I enter my own micro-universe, my unique reality. But it’s important not to let that world isolate me completely. After all, we’re born social beings. Balance means staying connected while honoring your inner creative space.

How does living and working in Belgrade influence your daily life and art practice?
Living in a country that has faced turbulence for the past 40 years is definitely challenging.
Belgrade is my city. I was born here, and I love its vibrant energy and sharp intellect. There’s something mysterious about Belgrade—an energy that captivates everyone who visits. Many people fall in love with the city because they feel accepted here. At the same time, Belgrade is my greatest challenge. My soul’s journey here has never been smooth. It’s full of ups and downs, but I believe these experiences were necessary parts of my path.
Art demands time, dedication, and good organization. In a big city like this, that’s not always easy. Life’s circumstances play a huge role, and I often wish it could be simpler.
Can you describe how your studies in Italy, particularly in Terni and Florence, transformed your artistic identity?
My journey to study art was a process. It began with an attempt in Vienna, followed by preparation for the Belgrade Academy, and then an unexpected adventure studying in Italy—the best experience of my life so far.
In Italy, I was fortunate to attend an academy with a unique and unconventional approach. It stood out from traditional schools at the time. I started in Terni, a small town in the Umbria region. There, my art education focused on exploring pittura italiana—Italian painting. This was just the beginning. Then I moved to Tuscany to study for three years at the academy in Florence. The approach there was much broader than classical methods, with a strong emphasis on continuous research—from the birth of an idea to the final result.
I learned that true art means breaking free from molds and limits. Painting is vast and endless—never fully defined. It’s a lifelong journey of learning and growth. Most importantly, I understood that curiosity drives this journey. Only curiosity can push you forward to explore and develop your own authentic artistic expression. Outstanding professors and recognized artists impressed upon us that this is the only path to self-discovery and building your style from your inner truth.
The school’s name says it all: LABA — Libera Accademia di Belle Arti, or the Free Academy of Fine Arts. Their motto? Libera Mente — Free Your Mind.

Your work blends mysticism and numerology. How do these interests shape your life beyond the canvas?
Emotional pain often triggers deep questions about life’s meaning, our essence, and self-reflection—where, what, and how. This needs to find answers led me, almost invisibly, from theology to gnosis, and then to exploring energy and numbers.
Numerology found its way into my path unexpectedly. I never imagined I’d connect with this science. From studying Tesla to exploring various spiritual energy methods and techniques, numbers sparked growing curiosity in me. In every exploration, numbers seemed to reveal the answers because we are all made of numbers. Numbers exist in every structure. They are the tool through which the Universe communicates with us.
The approach and broad knowledge I gained at the academy in Italy resonated deeply with the harmony of numbers. My need to paint and speak about esotericism became essential to who I am.
The Heart of Creation: Professional Goals and Deeper Purpose
10. Your art often explores mysticism and the Universe. How do you use numerology, colors, and shapes to express deeper realities?
The answer to this question can be captured in one simple connection:
Colors are part of the visible spectrum of the cosmos. Each color carries its own frequency, and frequencies are NUMBERS—waves passing through a specific unit of time, like seconds.
Vision is light, and its density or intensity depends on the number of photons.
In the end, everything boils down to a NUMBER.
What are numbers? They are the beginning and the end of the Universe.
The energy of CREATION communicates with us through numbers.
CREATIVITY, VISION, and EXISTENCE are all woven with numbers.
Eternity itself is represented by the number 8 turned horizontally.
What do you think sets your work apart from others in the contemporary art scene?
I believe every artist is unique, shaped by their personal traits, experiences, and knowledge. When these are well used and applied, they create true authenticity. For me, the most important thing is HONESTY with myself during the creative process. Following your inner voice and seeing where it leads—that’s the magic. Picasso once said, “I begin with an idea and then it becomes something else.” This shows that creation is a spontaneous and intuitive process.
I’d also like to quote Italian artist Piero Manzoni, who said, “I’m not interested in whether my art is beautiful or ugly. I’m only interested in whether it’s true.”
Are there specific galleries, exhibitions, or cities where you dream of showcasing your work?
At first, I dreamed of showing my work in New York, London, Vienna, and Milan. I was fortunate to have my painting “Homage to Tesla” exhibited at the Serbian UN mission in New York. Other works were shown at Florence Design Week in Florence. Currently, two of my pieces are part of an online group exhibition in Budapest, Vienna, and New York.
Over time, I realized these things come naturally. You don’t need to force or prioritize them. What truly matters are the people—those who connect with the artist’s expression. The artist becomes their channel, their messenger. My work carries meaningful messages—whether healing, awakening, or inspiring personal growth.
I believe all of this is guided from above because God is the best manager.
Art therapy is an interesting field. How do you see this influencing your future projects?
My background in social work combined naturally with fine arts, leading me to a deep interest in art therapy. At the academy in Italy, I first encountered art therapy during my final year. It was fascinating to observe how artists open up and discover parts of themselves they had buried or weren’t even aware existed.
Art therapy is not just a method; it uses artistic techniques—visual arts, movement, dance, speech—as tools to access the unconscious, the inner child within all of us. Every child loves to play, yet inside every adult lives a child who often forgets how to express emotions freely. We lose happiness when we disconnect from this inner child because it holds our truth and essence.
No matter where we run, we cannot escape ourselves. Art therapy offers powerful help in reconnecting with that part of us. It is a broad field with profound benefits, and I see it playing an important role in my future work.

Looking ahead, what are your biggest goals as an artist, and what legacy do you hope to leave through your art?
Time passes, and I know there are many things I could have done but haven’t—wrong choices or decisions we all make in life. I would be dishonest if I said I don’t dream of exhibiting my work worldwide and taking part in global shows. But what matters even more is the essence behind why we do what we do.
I want my art to help a vast number of people. Whether my work talks about esotericism, the cosmos, or human pain, suffering, and mortality, I hope it inspires change within them. My mission is to guide people to explore themselves, reflect deeply, and experience their “AHA” moments.
I want to awaken enthusiasm in those who need it most. Ultimately, my goal is to bring people closer to themselves, to God, living my own purpose and creating. I hope to achieve this through my artistic expression, supported by numerology. That is my mission.